Tuesday, April 2, 2019

Charlotte Hagerty on Sundiata Lion King of Mali



Live Footage of Me Reading about Sundiata 

When it comes to determining the source material of a Disney film, the answer is often ambiguous. Though we, as viewers, often seek a cookie cutter connection, so that we can forge connection across tales, the truth is usually more complicated. This is largely due to the nature of oral storytelling. What makes stories resonant across generations is that though the specifics are catered to each individual culture, the bones are the same. This collective meaning is reflected in the significance that the griots hold within this text, for it is the griots who, at least in Western Africa, are responsible for keeping stories alive. 

The bones of Sundiata Lion King of Mali are not particularly unique. The theme of prevailing over a corrupt leader, and finding your inner strength in the process, is shared between protagonists across time and geography. Hamlet, Simba, Zeus, Luke Skywalker, Harry Potter, David, King Arthur, Solomon, and so many more took time on their own to develop, both in strength and spirit, before rightfully claiming their power. Joining these noble ranks is the, perhaps lesser know, but, certainly, equally as important, Sundiata, Lion King of Mali. 

Of all the source material that we have read for Disney movies, this was probably my favorite. Perhaps trivial, but I love any book that starts with a map. It allows me to place the story in context, something that Aladdin should perhaps have utilized in its live action adaptation. It was heartening to step away from the troubles and worries that accompany a Duke student’s life and enter a world, that of children’s literature, where everything is tied up with a happy ending. I felt as though there was a clear take away in the text: have faith in both yourself and in those who may appear weak, as one has the potential to grow stronger than ever thought possible. Additionally, if you are kind and genuine, good things will come to you. When the witches tried to take down Sundiata they were rendered unable because he chose to help them instead of showing them any sort of anger or unkindness. If people acted with even half of the kindness that Sundiata did, the world would be a better place. 

 

Although, as pointed out by some of my peers in their responses, the notion that Sologon was gifted to the king may be seen as problematic. However, though it is tremendously important to remain vigilant in checking the values which media, particularly children’s media, puts forth, I would argue that it is just as important to contextualize. Polygamy was the standard in Mali at the time this story originated, in fact it remains legal, as polygamist marriages are recognized by civil law. I am not saying this to excuse any malpractice, only to warn that imparting Western values on the rest of the world is not always productive. An act of understanding should always precede an act of othering. 

In conclusion, I really enjoyed this text. As previously stated, the magic of storytelling comes from a sense of familiarity. I am interested to see in our class discussion if the common belief is that Disney co-opted this story and Westernized it for profit without any due credit, or if they were simply adding to the repertoire of tales that preceded it. Such is the circle of life. 


In anticipation of watching The Lion King, please enjoy this photo of me occupying the titular role. 


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